Horii actually used to work as a freelance journalist covering video games before his time at Chunsoft and Enix, writing mainly in the in-between pages in Weekly Shonen Jump.
Dai dragon quest manga 132 series#
As a result, it is not at all surprising that the legendary manga magazine would carry something related to the series, even though it does not do many cross-media promotions today.Īkira Toriyama was recruited to do the character and beast designs for Dragon Quest I because of series creator Yuji Horii’s familiarity with him, as well as his work on Dragon Ball.
Speaking of format, it is often forgotten that Dragon Quest has always had a close relationship with Weekly Shonen Jump. The Golden Age of Weekly Shonen Jump The Adventure of Dai and Dragon Quest on the front cover of Weekly Shonen Jump, issue no. Everything that is great about Dragon Quest is present here, only in an entirely different format – so, in this sense, you could call it a very loose adaptation. Of course, that is to say nothing about the inclusion of the series’ iconic bestiary, as well as the idea of a Hero (Yuusha) and his friends teaming up to defeat the Demon Lord. The series’ setting, as well as established canon, are loose enough to allow for both of these viewpoints – it’s perfectly accessible. For a seasoned Dragon Quest player, it can be the continuation of what you just finished for a newcomer, it can be entirely its own thing. Yet, in many ways, The Adventure of Dai can be whatever you want it to be. In this sense, it is very similar to Dragon Quest II. Instead of creating for itself a brand new world, it takes place in a world already saved by a legendary Hero, the Demon Lord long since defeated. The Adventure of Dai is related to these as it carries on the idea of interconnectivity. Dragon Quest I through III tells the story of Roto, a legendary hero and his descendants who save the land of Alefgard, and Dragon Quest IV through VI all feature stories involving the floating Celestial Castle, also known as Zenithia in English. Whereas entries in the mainline Dragon Quest series after VI would tell largely disconnected stories, the stories of the first six games were interconnected. The first six games, further divided into two trilogies, tell stories that continue on from each other, with names that differ depending on the time and region: in Japan, however, they are known as the Roto and the Celestial (Tenkuu) series respectively. Nevertheless, Dragon Quest: The Adventure of Dai is undoubtedly a child of the franchise’s early history. Coming out in Japan in 1988, 1990, and 1992 respectively, it is hard to pinpoint where and when each game influenced Riku Sanjo and Koji Inada’s series given the length and variety of story elements introduced therein.
And with the help of the new anime, that could become as true today as it was in the 1990s.īut what is the secret behind The Adventure of Dai’s success? Was it just a case of Riku Sanjo and Koji Inada adapting Japan’s favorite video game series in the right place at the right time, or is it something more? What makes it so compelling that it deserves to be revisited, even to this day? The Adventure of Dai: Adaptation or Original Story?įirst of all, we should address the elephant in the room: is The Adventure of Dai an adaptation or an original story?Īccording to the Dragon Quest wiki, The Adventure of Dai is “ based mainly” on Dragon Quest III, Dragon Quest IV, and Dragon Quest V all at once. Far from being a simple video game adaptation, it has gone on to become a juggernaut in its own right – moulding and shaping the upbringings of many Japanese children (and adults!) along the way. There appears to be no better time, then, to discuss the incredible success of The Adventure of Dai.
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